月の歌会

hoshi2

なんたる問2

『短歌穴埋め』
第2ステージは、松村邦洋のオールナイトニッポンでラジオ職人をしていた過去を持つ男ことナイス害がお相手です
よろしくお願いします
ここで1位を取った方には当時のラジオネームを教えます

穴の空いた私の拙歌を一首選びますので、そこに大喜利よろしく投稿していただけたら嬉しいです


午前2時ロイヤルホストで唱えだす【    ?    説】
本歌(なんたる星9月号より)http://goo.gl/NWRaEk
午前2時ロイヤルホストで唱えだす【ぬりかべは皆パイパンだ説】

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午前2時ロイヤルホストで唱えだす【説】

|5.188.211.72|5.188.211.72\cさん&Efrain|Who do you work for? https://wp.nyu.edu/page/2/?s=Australia%20Online%20Pharmacy%20%E2%AD%90%20www.HealthMeds.online%20%E2%AD%90%20Viagra%20Generic%20Brands%20Australia%20-%20Viagra%20Vs%20Cialis%20Price%20Australia viagra generic brands australia It is one of the paradoxes of our age: We complain that we don't have any time. Our storytellers proceed as if we have nothing but. Our directors seem incapable of making a movie less than two and a half hours long our novelists of writing a book less than 400 pages. And Stephen King who was once our Brothers Grimm is now our Dumas asking if books 1000 pages long can still properly be called potboilers. In journalism what used to be characterized as "narrative" or "literary" or "new" journalism is now described simply as "long form" as if length were the trait that supersedes all others. The magazine article always a supremely elastic form has at once shrunk into the "listicle" and expanded into the "Kindle Single" or the "Byliner Original" or the "interactive" multimedia extravaganza designed not to be read but rather experienced in a variety of ways depending on how much time we have and how much we are willing to give — with time indeed the constraining variable instead of simply length. さんの一首

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ただの面白いこと書いても平気です


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